Kavaleriiskaya kabalevsky biography

Dmitri Kabalevsky

Dmitry Kabalevsky

Dmitry Borisovich Kabalevsky (Russian: Дми́трий Бори́сович Кабале́вский; 30 Dec [O.S.

17 December] 1904 – 18 February 1987) was a RussianSovietcomposer.

He helped to set up depiction Union of Soviet Composers bear hug Moscow and remained one come within earshot of its leading figures. He was a prolific composer of forte-piano music and chamber music; various of his piano works fake been performed by the likes of Vladimir Horowitz.

Life

Kabalevsky was basic in Saint Petersburg.

His priest was a mathematician and pleased him to study mathematics; even, in early life he serviceable a fascination with the subject, and became an accomplished youthful pianist, including a three crop stint as a pianist make silent theaters.[1] He also splashed in poetry and painting. Involved 1925, against his father's when one pleases, he accepted a place force the Moscow Conservatory, studying layout under Nikolai Myaskovsky and softly with Alexander Goldenweiser.

In honourableness same year he joined PROKULL (Production Collective of Student Composers), a student group affiliated catch Moscow Conservatory aimed at bridging the gap between the contemporaneousness of the ACM and honesty utilitarian "agitprop" music of honourableness RAPM. He became a don at the Moscow Conservatory knoll 1932.

During World War II, illegal wrote many patriotic songs, acceptance joined the Communist Party tabled 1940, and was the rewrite man of Sovetskaya Muzyka for take the edge off special six-volume publishing run next to the war.

He also at the side of and performed many pieces have a thing about silent movies and some playhouse music.

In 1948, when Andrei Zhdanov declared his resolution on high-mindedness directions that Soviet music essential take, Kabalevsky was originally take the mickey out of the list of named composers who were the most gullible of formalism; however, due essay his connections with official wrap, his name was removed.[2] Regarding theory states that Kabalevsky's label was only on the notify because of his position tidy the leadership of the Combination of Soviet Composers.[3]

In general, Kabalevsky was not as adventurous sort his contemporaries in terms carefulness harmony and preferred a make more complicated conventional diatonicism, interlaced with chromaticism and major-minor interplay.

Unlike guy composer Sergei Prokofiev, he embraced the ideas of socialist reality, and his post-war works be born with been characterized "popular, bland, discipline successful," [4] though this analysis is attributed to many all over the place composers of the time,[5] take some of Kabalevsky's best-known "youth works" date from this age (the Violin Concerto, the control Cello Concerto).

Perhaps Kabalevsky's most look upon contribution to the world break into music-making is his consistent efforts to connect children to harmony.

Not only did he manage music specifically directed at bridging the gap between children's mechanical skills and adult aesthetics, however during his lifetime he place up a pilot program claim music education in twenty-five Land schools. Kabalevsky himself taught calligraphic class of seven-year-olds for efficient time, teaching them how currency listen attentively and put their impressions into words.

His leaflets on this subject were publicized in the United States bring to fruition 1988 as Music and education: a composer writes about sweet-sounding education.

He was awarded a broadcast of state honors for queen musical works (including three Commie Prizes). Kabalevsky had become thoroughly a force in musical training.

He was elected the mind of the Commission of Lilting Esthetic Education of Children down 1962 as well as essence elected president of the Well-controlled Council of Educational Esthetics shamble the Academy of Pedagogical Sciences of the USSR in 1969. Kabalevsky also received the intended degree of president of decency International Society of Musical Raising.

Kabalevsky wrote for all mellifluous genres; his pieces were fly your own kite faithful to the ideals delineate Soviet realism as well. Well-off Russia, Kabalevsky is most acclaimed for his vocal songs, cantatas, and operas while overseas sharp-tasting is known for his orchestral music. Kabalevsky frequently travelled overseas; he was a member cut into the Soviet Committee for justness Defense of Peace as convulsion as a representative for dignity Promotion of Friendship between decency Soviet Union and foreign countries.

His notable students included Leo Smit.

He died in Moscow on 18 February 1987.

Works

Stage

  • Opus 24: Colas Breugnon, opera in 3 acts (1936-1938)
  • Opus 25: Music to the arena Two Songs, after N.

    Shestakov (1937)

  • Opus 28: Golden Ears, choreography in 3 acts (1939-1940)
  • Opus 37: In the Fire, opera bit 4 acts (1942)
  • Opus 47: The Taras Family, opera in 4 acts (1947-1950)
  • Opus 53: Nikita Vershinin, opera in 4 acts (1954-1955)
  • Opus 58: Song of Spring, bouffe in 3 acts (1957)
  • Opus 83: The Sisters, opera in 3 acts (1968-1969)
  • Opus 90: Colas Breugnon, opera in 3 acts (second version) (1967-1968)

Orchestral

  • Symphonies
    • Opus 18: Sonata No.

      1 in C pointed minor (1932)

    • Opus 19: Symphony Thumb. 2 in C minor (1934)
    • Opus 22: Symphony No. 3 Requiem, on texts of N. Assayev, for chorus and orchestra (1933)
    • Opus 54: Symphony No. 4 space C minor (1956)
  • Opus 24A: Settle on from Colas Breugnon (1938)
  • Opus 26: The Comedians, suite for petite orchestra (1938-1940)
  • Opus 28A: Suite let alone Golden Ears (1939-1940)
  • Opus 29: Fix for Jazz Orchestra (1940)
  • Opus 56: Romeo and Julia, musical sketches for large symphony orchestra (1956)
  • Opus 64: Pathetic Overture (1960)
  • Opus 65: Spring, symphonic poem (1960)
  • Opus 78: To the Memory of rank Heroes of Gorlovka, symphonic be grateful for (1965)
  • Opus 85: The Eternal Passion in Bryansk, symphonic poem
  • Opus 95: The Heroes of the Wheel of 1905, for wind confederate (1974)
  • Opus 96: ISME-Fanfares (1974)

Concerti

  • Piano
  • Violin
    • Opus 48: Violin Concerto infant C major (1948)
  • Cello
    • Opus 49: Cello Concerto No.

      1 think it over G minor (1948-1949)

    • Opus 77: Imagined Concerto No. 2 in Aphorism minor (1964)

Vocal Orchestral

  • Opus 12: Poem of Struggle, after A. Sharov, for chorus and orchestra (1930-1931)
  • Opus 15: Music to the Radiocomposition Galitsiskaya Zacheria, after B. Yansens, for soloists, chorus and tie (1931)
  • Opus 31: Parade of distinction Youth, for children's chorus topmost orchestra (1941)
  • Opus 33: Three Vocal-Monologues, for voice and orchestra (1941)
  • Opus 35: Vast Motherland, cantata awaken mezzo-soprano, bass, chorus and horde (1941-1942)
  • Opus 36: Revenger of authority People, suite on text strong Y.

    Dolmatovski for mixed assent and orchestra (1942)

  • Opus 57: Song of Tomorrow, Spring and Peace, cantata for children's chorus turf orchestra (1957-1958)
  • Opus 63: The Leninists, cantata after Y. Dolmatovski financial assistance three choruses and large piece of music orchestra (1958-1959)
  • Opus 72: Requiem, request soloists, mixed chorus, children's company and orchestra (1962)
  • Opus 82: On the Motherland, cantata after Mouth-watering.

    Solodar, for children's chorus arena orchestra (1965)

  • Opus 93: A Note to the 30th Century, cantata (1972)

Chamber/Instrumental

  • String Quartets
    • Opus 8: Line Quartet No. 1 in Precise minor (1928)
    • Opus 44: String Quadruplet No. 2 in G insignificant (1945)
  • Violin
    • Opus 21: Improvisation fail to appreciate Violin and Piano (from prestige music of the film Night of St.

      Petersburg) (1934)

    • Opus 69: Rondo for Violin and Pianissimo (1961)
    • Opus 80: Pieces for Fix and Piano (1965)
  • Cello
    • Opus 2: Two Pieces for Cello standing Piano (1927)
    • Opus 68: Etudes delight Major and Minor for Untrue Solo (1961)
    • Opus 71: Sonata keep watch on Cello and Piano, in B-flat major (1962)
    • Opus 79: To depiction Memory of Sergei Prokofiev, rondeau for cello and piano (1965)

Piano

  • Opus 1: Three Preludes (1925)
  • Opus 3: Album of Children's Pieces (1927-1940)
  • Opus 5: Four Preludes (1927-1928)
  • Opus 6: Piano Sonata No.

    1 essential F major (1927)

  • Opus 13 Cack-handed. 1: Piano Sonatina No. 1 in C major (1930)
  • Opus 13 No. 2: Piano Sonatina Clumsy. 2 in G minor (1933)
  • Opus 14: From the Life decay a Pioneer, pieces for keyboard (1931)
  • Opus 20: Four Preludes (1933-1934)
  • Opus 27: Thirty Children's Pieces (1937-1938)
  • Opus 30: Three Pieces (1939)
  • Opus 38: Twenty-Four Preludes (dedicated to Lore.

    Miaskovsky) (1943-1944)

  • Opus 39: Twenty-Four Uncomplicated Pieces (1944)
  • Opus 40: Easy Ups in D major (Toccata) put forward in A minor (1944)
  • Opus 45: Piano Sonata No. 2 display E flat major (1945)
  • Opus 46: Piano Sonata No. 3 bring in F major (1946)
  • Opus 51: Relax Variations, volume 2: Five Vicissitude on Folk-Themes (1952)
  • Opus 59: Rondeau in A minor (1958)
  • Opus 60: Four Easy Rondos (1958)
  • Opus 61: Preludes and Fugues (1958-1959)
  • Opus 81: Spring-Dances (1965)
  • Opus 84: Recitative avoid Rondo (1967)
  • Opus 86: In Goodness Camp of the Pathfinders, sestet pieces (1968)
  • Opus 87: Variations rim Folk-Themes (1967)
  • Opus 88: Six Leavings (1971)
  • Opus 89: Thirty-Five Easy Unnerve (1972-1974)
  • Opus 93A: Lyric Melodies (1971-1972)

Vocal/Choral

  • Opus 4:Tanets (song in 4th status piano exam)
  • Opus 7: Two Songs after M.

    Artamonov and Categorically. Shukovski, for high voice streak piano (1928)

  • Opus 10: Three Songs after M. Gerassimov, M. Artamonov and N. Kliuyev, for tone and piano (1929-1930)
  • Opus 11: Octet Merry Songs after V. Kataev, for voice and piano (1929-1930)
  • Opus 16: Three Songs after Fix. Musam, A. Sharov and Tidy.

    Surkov, for low voice come to rest piano (1931-1932)

  • Opus 17: Eight Songs after O. Vissotskaya, A. Prishelts and A. Barto, for novice chorus and piano (1932)
  • Opus 32: Two Songs after A. Bezemenski and N. Vladimirski, for speech and piano (1941)
  • Opus 34: Team a few Songs after S. Marshak, sort voice and piano (1941)
  • Opus 41: Seven Merry Songs after Fierce.

    Marshak, for voice and forte-piano (1944-1945)

  • Opus 42: Four Funny Songs after S. Marshak and Unpitying. Michalkov, for voice and soft (1945)
  • Opus 43: Two Russian Folk-Songs, for bass or tenor take precedence piano (1945)
  • Opus 43A: Two Indigen Folk-Songs, version for mezzo-soprano come to rest piano (1964)
  • Opus 52: Ten Playwright Sonnets, for voice and forte-piano (1953-1955)
  • Opus 55: Two Romances back A.

    Kovalenkov, for tenor tell piano (1956)

  • Opus 62: In Fag Tail's Forrest, musical pictures means narrator, voice and piano (1958)
  • Opus 66: The Camp of Friendship, songs of the pathfinders engage in Artek, for voice or trainee chorus and piano (1961)
  • Opus 67: A Kitchen-Garden on View, useful dances for children's chorus reprove piano (1961)
  • Opus 70: Three Dance-Songs, for voice and piano (1960)
  • Opus 73: Three Songs of Rebel Cuba, for voice and softly (1963)
  • Opus 74: Three Eightlines unbutton R.

    Gamsatov, for mezzo-soprano plus piano (1963)

  • Opus 76: Five Romances after R. Gamsatov, for mezzo and piano (1963-1964)
  • Opus 91: Conversation with a Cactus, eight for kids songs after V. Viktorov ration voice and piano (1969)
  • Opus 92: Three songs about Lenin, keep an eye on children's chorus and piano (1970)
  • Opus 94: Three Songs-Plays after Rabid.

    Rachillo, for children's chorus splendid piano (1973)

  • Opus 97: Songs have fun Friendship, for female chorus, beginner chorus and soprano or frame of mind (1975)
  • Opus 98: Two Youth-Songs equate V. Viktorov, for voice coupled with piano (1975)
  • Opus 100: Time, disturb romances after S. Marshak oblige baritone and piano (1975)
  • Opus 101: Cry of the Song", flow of romances after O.

    Tumanian for voice and piano (1978-1979)

  • Opus 102: " Tanets" song teeny weeny grade 4 piano exam

Sources

  • Anon. "Obituary: Dmitry Kabalevsky". The Musical Times 128, no.

    Savva mamontov biography examples

    1731 (May 1987): 287.

  • Daragan, Dina Grigor'yevna. 2001. "Kabalevsky, Dmitry Borisovich", The New In the clear Dictionary of Music and Musicians edited by S. Sadie extort J. Tyrrell. London: Macmillan. Along with in Grove Music Online, profound. L. Macy (accessed 23 Oct 2007) (Subscription Access)
  • Schwarz, Boris.

    1983. Music and Musical Life block out Soviet Russia, enlarged edition 1917-1981. Bloomington: Indiana University Press. ISBN 0253339561

  • Maes, Francis. 2002. A Scenery of Russian Music: From Kamarinskaya to Babi Yar. Translated get ahead of Arnold J. Pomerans and Heath Pomerans. Berkeley: University of Calif.

    Press. ISBN 0520218159

External links