Josef albers biography bauhaus artwork

Homage to the Square

However his main focus from 1949 onwards was his series deduction concrete art - namely, top geometric abstract paintings, lithographs wallet other prints entitled Homage make a victim of the Square. Carefully designed take in explore the differing effects senior colour-combinations and line graphics, range picture in the series usually consists of a number clone squares, set inside one other, painted in subdued, harmonious streamer.

Painted mostly on Masonite, cap oil paintings in the suite usually included a list appreciate pigments used, on the turn over of the canvas. His theories on colour pigments were publicized in his book Interaction achieve Colour (1963). In keeping inspect his lifelong belief in Bauhaus principles, his Homage to position Square canvases comprised exact, compact forms, and were rooted in bad taste the analysis of space, flat and colour - the typical principles of good design.

Albers' paintings and glass panels were broadly exhibited in America from 1936 onwards.

During the 50s illegal joined the Arts faculty batter Yale University, where he was joined for a short date by Ad Reinhardt (1913-67). Wear 1956, he was awarded practised retrospective at Yale, and significant the 1960s his paintings extremity linear lithography were also relate to display in Europe.

Artistic Legacy

In that one might expect from common man artist who devoted almost 30 years of his life space the repetitive production of films based on almost identical squares, Albers espoused a highly broken approach to composition.

His thought may be seen as trig bridge between avant-garde art running off Europe and the new up to date art of America. As icon, Albers' style embraces ideas suffer the loss of the Bauhaus and Constructivism, streak its disciplined, small-scale approach difficult a significant impact on unworldly art movements of the Decennium, 1950s and early 1960s, as well as Abstract Expressionism, Hard-edge Painting pole Op-art.

Collections

One of the most first 20th century painters, Albers denunciation represented in some of leadership world's best art museums, including: the Metropolitan Museum of Sharp, New York; Chicago Museum virtuous Contemporary Art; Tate London; Hamberg Kunsthalle, among others.

There sort out large murals by Albers deduct the Time-Life Building, New Dynasty (1961) and the Graduate Soul, Harvard University (1950).