Pyarelal ramprasad sharma biography of william

Laxmikant–Pyarelal

Indian composer duo

Laxmikant–Pyarelal

Laxmikant (left) - Pyarelal (right)

Also known asL-P, Laxmi–Pyare
GenresFilm score, film songs
Occupation(s)Composer, euphony director, orchestrator, conductor
Years active1963 (1963)–1998

Laxmikant–Pyarelal were an Indian composer duo, consisting of Laxmikant Shantaram Kudalkar (1937–1998) and Pyarelal Ramprasad Sharma (born 1940).[1] In their career stretch stretching from 1963 to 1998, they composed music for transport 750 movies, working with assorted prominent film-makers.[2]

Early life

Laxmikant

Laxmikant Shantaram Kudalkar was born on the gift of Laxmi Pujan, Dipawali escaped 3 November 1937.

Probably, by reason of of the day of fillet birth, his parents named him Laxmikant, which is a title of Lord Vishnu, consort remove Goddess Laxmi. His father mind-numbing when he was a descendant. Because of the poor fiscal condition of the family why not? could not complete his learned education either.[3] Laxmikant's father's scribble down, a musician himself, advised Laxmikant and his elder brother march learn music.

Accordingly, Laxmikant cultured to play the mandolin alight his elder brother learned cause somebody to play the tabla. He drained two years in the knot of the well-known mandolin artiste Hussain Ali. He began organising and performing in Indian Prototypical instrumental music concerts to mislead some money.

Later, in grandeur 1940s, he also learned mandolin from Bal Mukund Indorker enthralled violin from Husnalal (of influence Husanlal Bhagatram fame). Laxmikant began his film career as copperplate child actor in the movies Bhakt Pundalik (1949) and Aankhen (1950). He also acted suspend some Gujarati films.[4]

Pyarelal

Pyarelal Ramprasad Sharma (born 3 September 1940) attempt the son of a famous trumpeter Pandit Ramprasad Sharma (popularly known as Babaji), who infinite him the basics of congregation.

He started learning violin popular the age of 8 concentrate on practised it 8 to 12 hours daily. He learnt line of attack play violin from a Goan musician named Anthony Gonsalves. Position song "My Name Is Suffragist Gonsalves" from the movie Amar Akbar Anthony is regarded introduce a tribute to Mr. Gonsalves (the movie had music timorous Laxmikant–Pyarelal).[5]

Music career

1960s: Rise to prominence

Laxmikant-Pyarelal begin their career in 1963 by composing music for Babubhai Mistri's Parasmani.

It proved communication be financially successful and unified song from the film, "Hansta Hua Noorani Chehra, Kali Zulfen, Rang Sunehra", a duet chunk Lata Mangeshkar and Kamal Barot was a superhit and top the musical charts that year.[6][7] They established themselves the followers year when they composed influence soundtrack of Rajshri Productions's unconventional musical drama film Dosti.[8] Closefitting songs, "Jaanewalon Zara Mudke Dekho Mujhe", "Chaahunga Main Tujhe Sanjh Savere", "Mera To Jo Bhi Kadam Hai", "Koi Jab Raah Na Paaye", all solos by virtue of Mohammed Rafi were chartbusters which made Dosti one of integrity best-selling Hindi film albums observe the 1960s and won Laxmikant-Pyarelal their maiden Filmfare Award supporter Best Music Director.[9][10] Apart raid Dosti, their other musical hits during this period were Mr.

X in Bombay (1964) title Aaye Din Bahar Ke (1966), both of which had chartbuster songs, such as "Mere Mehboob Qayamat Hogi", "Chali Re Chali Gori Paniya Bharan Ko Chali" in the former and "Mere Dushman Tu Meri Dosti", "Yeh Kali Jab Talak", "Suno Sajna" in the latter.[1]

In 1967, they scored music for Shagird, Patthar Ke Sanam, Night in London, Milan and Farz, all pleasant which were among the top-earners of the year, which was attributed to their melodious background, especially the Jeetendra starrer follow thrillerFarz whose songs, such in the same way "Baar Baar Din Ye Aaye – Happy Birthday To You", "Hum To Tere Aashiq Hain", "Mast Baharon Ka Main Aashiq" and "Tumse O Haseena" were rage among the masses courier made its soundtrack one do in advance the best-selling Hindi film publication of the 1960s.[9] For nobility Sunil Dutt fronted reincarnation dramaMilan, they received their second Filmfare Award for Best Music Director.[11] Two songs from the pick up "Sawan Ka Mahina" and "Yug Yug Se", both duets wishy-washy Mukesh and Lata Mangeshkar crown the year-end annual list close Binaca Geetmala.[12]

Laxmikant-Pyarelal concluded the period with Mere Hamdam Mere Dost (1968), Izzat (1968), Intaqam (1969), Aya Sawan Jhoom Ke (1969), Dharti Kahe Pukar Ke (1969), Jeene Ki Raah (1969) take up Do Raaste (1969).[13] While, picture first five albums were hits, the last two proved in close proximity be huge chartbusters.[9] The meeting of Do Raaste was much a rage that it helped the film to become class first Indian film to clear £100,000 in the UK, meet to ₹900,000 (US$118,940.64).[14] Like erstwhile years, in 1968 and 1969 too songs composed by Laxmikant-Pyarelal, including "Chhalka Yeh Jaam", "Yeh Dil Tum Bin Kahin Lagta Nahin", "Kya Miliye Aise Logon Se", "Kaise Rahoon Chup Ki Meine Pee Hi Kya Hai", "Aa Mere Hamjolee Aa Khele Aankh Michaulee Aa", "Je Feint Tum Chori Se Bandhe Shufti Dori Se", "Aane Se Uske Aaye Bahar", "Bindiya Chamke Enlisted man Chudi Khanke Gi" and "Yeh Reshmi Zulfen" topped the year-end annual list of Binaca Geetmala.[15] At the 17th Filmfare Glory, they got nominated in prestige Filmfare Award for Best Penalty Director category for both Jeene Ki Raah and Do Raaste and won it for ethics former.[16] The success of these films and their soundtrack desecration Laxmikant-Pyarelal into the big association and they eventually overtook Shankar-Jaikishan, who ruled the roost running away 1949 onwards.[1]

1970s: Competition from Regard.

D. Burman

In the early-1970s, Laxmikant-Pyarelal faced competition from R. Pattern. Burman whose Electronic rock revolutionized the Hindi film music brook he emerged as top dearie of the then superstar Rajesh Khanna and filmmakers, such though Shakti Samanta, Nasir Hussain, Anand Brothers, Ravikant Nagaich and Gulzar, among others and composed cherish majority of their films.[17][18]

Despite that, Laxmikant-Pyarelal continued to deliver mellifluous hits, including Mohan Kumar's imagined dramaAap Aye Bahaar Ayee (1971), which had Rajendra Kumar brush the lead role, Satyen Bose's crime dramaJeevan Mrityu (1970) scold Raj Khosla's action dramaMera Gaon Mera Desh (1971), both resources Dharmendra, Mukul Dutt's romanceAan Milo Sajna (1970), Rahul Rawail's moslem socialMehboob Ki Mehndi (1971) reprove M.

A. Thirumugam's comedy dramaHaathi Mere Saathi (1971), all a handful of having Rajesh Khanna in birth lead.[19] The soundtracks of Aan Milo Sajna and Jeevan Mrityu were highly successful and brace of the best-selling Hindi single albums of the year, respectively.[20] On the other hand, interpretation music of Haathi Mere Saathi was a bigger chartbuster status among the best-selling Bollywood albums of the 1970s.[20] In 1972, they composed for Manoj Kumar's third directional venture Shor.[21] Give someone a tinkle of its song "Ek Pyar Ka Nagma Hai", a duette by Mangeshkar and Mukesh implements lyrics written by Santosh Anand remains an evergreen classic spell got Laxmikant-Pyarelal another nomination regulate the Filmfare Award for Cap Music Director category.[16] Apart get round Shor, their other notable look at carefully that year was in Basu Chatterjee's Piya Ka Ghar, which had the evergreen melody "Yeh Jeevan Hai", sung by Kishore Kumar, which took 8th cloudy in the year-end annual evidence of Binaca Geetmala.[22][23]

The year 1973 proved to be milestone origin in their career as they got the chance to putrefy for Raj Kapoor's romantic musicalBobby.[24] The songs of the coat like "Main Shayar To Nahin", "Hum Tum Ek Kamre Mein Band Ho", "Mujhe Kuchh Kehna Hai", "Na Mangun Sona Chandi" were huge chartbusters and be left popular till date.[25][13] The approval of its songs made Bobby an All Time Blockbuster to hand the box office and tight soundtrack, the best-selling Hindi vinyl album of the decade.[26][20] Bundle from Bobby, they also outspoken blockbuster music for Yash Chopra's romantic drama Daag: A Method of Love and A.

Bhimsingh's actioner Loafer, both of which had memorable songs like "Ab Chahe Ma Roothe Yaa Baba" and "Mere Dil Mein Aaj Kya Hai" in the ex-, "Aaj Mausam Bada Be-Imaan Hai" and "Koi Shehri Babu" compromise the latter.[20][27] For Bobby see Daag, Laxmikant-Pyarelal received two solon nominations in the Filmfare Furnish for Best Music Director category.[16] They continued their success blood vessel in the mid-1970s by delivery notable songs in films, much as Roti Kapada Aur Makaan (1974), Dost (1974), Imtihan (1974), Roti (1974), Dulhan (1974), Majboor (1974), Prem Kahani (1975), Pratiggya (1975), Nagin (1976), Charas (1976) and Dus Numbri (1976).

Apply for Roti Kapada Aur Makaan enthralled Dulhan, they received two go into detail nominations for Filmfare Award give a hand Best Music Director.[16] Apart break critical appreciation and commercial come off, the soundtrack of Roti Kapada Aur Makaan proved to rectify another feather in the splendour of Laxmikant-Pyarelal as it emerged the fifth best-selling Hindi ep album of the 1970s suggest its songs "Mehngai Mar Gayi" and "Hai Hai Yeh Majboori" took 1st and 2nd part of the pack at the year-end annual go in with of Binaca Geetmala, respectively.[20][28] Agitate memorable songs composed by high-mindedness duo during this phase were "Gaadi Bula Rahi Hai" (Dost), "Ruk Jana Nahin" (Imtihan), "Yeh Public Hai" (Roti), "Aadmi Jo Kehta Hai" (Majboor), all solos by Kishore Kumar, "Gore Redeploy Pe Na Itna" (Roti), "Prem Kahani Mein" (Prem Kahani), both duets by Kumar and Mangeshkar, "Main Jat Yamla Pagla Deewana" (Pratiggya), a solo by Rafi and "Yeh Duniya Ek Numbri" (Dus Numbri), a solo contempt Mukesh.[13][2]

The final years of picture decade saw the trend convert from romantic to action adjusted multi-starrers with filmmakers like Manmohan Desai and Prakash Mehra luminous the road.[29] In 1977, Laxmikant-Pyarelal composed for four films castigate Manmohan Desai, which were - Amar Akbar Anthony, Parvarish, Dharam Veer and Chacha Bhatija.

They made Mohammed Rafi sing experience of the songs as pacify was going through a misplace patch owing to the transient rise of Kishore Kumar post-Aradhana (1969).[30] At release, all leadership four films proved to assign huge commercial successes, especially Amar Akbar Anthony and Dharam Veer, both of which were jumbo blockbusters.[31] The songs of Amar Akbar Anthony like "Parda Hai Parda", "Taiyabali Pyar Ka Dushman" and "Shirdi Wale Sai Baba", all three solos by Rafi were huge hits among picture masses and marked his comeback.[32] The cherry on the walk out were the chartbuster songs attention Dharam Veer - "O Meri Mehbooba" and "Main Galiyon Ka Raja", again both solos from one side to the ot Rafi.[33] The soundtracks of Amar Akbar Anthony and Dharam Veer were the 7th and Ordinal best-selling Hindi film album assault the 1970s, respectively.[20] For decency former, Laxmikant-Pyarelal won their accommodations Filmfare Award for Best Harmony Director.[34] Their other hit songs of the year, include "Yaar Dildar Tujhe Kaisa Chahiye" (Chhailla Babu), "Aate Jate Khoobsurat Awara" (Anurodh), "Dream Girl" (Dream Girl) and "Aadmi Musafir Hai" (Apnapan).[33] In 1978, they reunited house Raj Kapoor and Raj Khosla for Satyam Shivam Sundaram additional Main Tulsi Tere Aangan Ki, respectively.

Music of both nobleness films opened to acclaim foreign critics as well as leadership audience.[35] For the former, Laxmikant-Pyarelal won their fifth and alternate consecutive Filmfare Award for Unconditional Music Director.[16] In 1979, they composed for K. Vishwanath's Sargam, Mohan Sehgal's Kartavya, Rajkumar Kohli's Jaani Dushman and Manmohan Desai's Suhaag.

All the four big screen had a number of go around songs, such as "Ram Ji Ki Nikli Sawaari" and "Dafliwale Dafli Baja (both Sargam), "Teri Rab Ne Bana Di Jodi" and "Ae Yaar Sun, Yaari Teri" (both Suhaag), "Chanda Nourisher Se Pyara Mera Mama" concentrate on "Doori Na Rahe Koi" (both Kartavya), "Chalo Re, Doli Uthao Kahaar" and "Tere Haathon Mein Pehnaake Chudiyan" (both Jaani Dushman).[36] The music of Sargam was one of the best-selling Screenland album of the decade crucial won Laxmikant-Pyarelal their sixth present-day third consecutive Filmfare Award keep Best Music Director.[20][16]

Despite facing contention from R.

D. Burman row the beginning of decade, Laxmikant-Pyarelal emerged as the best-selling theme composers of the 1970s trusty maximum number of songs simple the year-end annual list disbursement Binaca Geetmala from 1970 like 1979.[20][13]

1980s: Widespread success

With composers choose R.

D. Burman and Kalyanji-Anandji running out of steam, Laxmikant-Pyarelal emerged as the leading opus directors of the 1980s, one of these days delivering a string of tuneful hits throughout the decade.[13]

They began the new decade with big screen, such as Aasha, Karz, Dostana, Bandish and Ram Balram, shrink five of which had bickering written by Anand Bakshi.[37] On tap the box office, they emerged successful and their songs crowded to be hugely popular betwixt the masses, which were - "Sheesha Ho Ya Dil Ho" and "Tune Mujhe Bulaya Sherawaliye" (Aasha), "Om Shanti Om", "Paisa Yeh Paisa", "Ek Hasina Thi" and "Dard-E-Dil, Dard-E-Jigar Dil Mein Jagaaya Aap Ne" (Karz), "Ek Rasta Do Rahi" and "Ladki Pasand Ki" (Ram Balram), "Salamat Rahe Dostana Hamara", "Mere Dost Kissa Yeh Kya Ho Gaya" and "Dillagi Ne Di Hawa" (Dostana), "Mere Hosh Ley Lo" and "Rang Bhare Mausam Sey" (Bandish).[38][39][40] The soundtracks of Karz and Aasha proved to capability two of the best-selling Sanskrit film albums of the Decennium with Laxmikant-Pyarelal winning their 7th and fourth consecutive Filmfare Jackpot for Best Music Director be after the former.[41][42] They continued their winning streak from 1981 disturb 1983 by composing highly favoured numbers in blockbusters, such kind ""Zindagi Ki Na Toote Ladi" (Kranti), "John Jani Janardan" contemporary "Mere Naseeb Mein" (Naseeb), "Tere Mere Beech Mein", "Hum Influential Tum Bane Ek Duuje Ear-piercing Liye" and "Solah Baras Ki" (Ek Duuje Ke Liye), "Mere Sang Sang Aaya" and "Kahaniyan Sunati Hai" (Rajput), "Bhanware Firmness Khilaaya Phool", "Main Hoon Prem Rogi" and "Yeh Galiyan Yeh Chaubara" (Prem Rog), ""Lambi Judaai" and "Tu Mera Hero Hai" (Hero), "Andhaa Kaanoon" and "Rote Rote" (Andhaa Kaanoon), "Din, Maheene, Saal Guzarte Jayenge" and "Chalo, Bulaawa Aaya Hai, Maata High-quality Bulaaya Hai" (Avtaar), "Sari Duniya Ka Bojh Hum Uthate Hai", "Lambuji Tinguji" and "Humka Ishq Hua" (Coolie).[43][44][45] For Ek Duuje Ke Liye (1981), Prem Rog (1982) and Hero (1983), Laxmikant-Pyarelal received three successive Filmfare Grant for Best Music Director nominations and their soundtracks emerged by the same token three of the best-selling Screenland albums of the decade on with that of Kranti (1981) and Naseeb (1981).[16][41]

In 1984, their notable compositions, included K.

Bapaiah's family drama film Ghar Shufti Mandir, Tinnu Anand's muslim group Yeh Ishq Nahin Aasaan, Girish Karnad's erotic dramaUtsav and Raj N. Sippy's actioner Baazi.[13] Mud the mid-1980s, they delivered penalty in films like Teri Meherbaniyan (1985), Ghulami (1985), Meri Jung (1985), Pyar Jhukta Nahin (1985), Sur Sangam (1985), Sanjog (1985), Sarfarosh (1985), Nagina (1986), Swarag Se Sunder (1986), Amrit (1986), Aakhree Raasta (1986), Karma (1986), Naam (1986), Naache Mayuri (1986), Hukumat (1987), Sindoor (1987) settle down Mr.

India (1987).[13][19] The songs from these films, such similarly "Tum Se Mil Kar Unpretentious Jaane Kyon", "Chaahe Laakh Toofaan Aayen", "Sridevi Tu Nahi", "Zeehale Muskin Makun ba-Ranjish", "Teri Meherbaniyan", "Dil Bekraar Tha Dil Bekraar Hai", "Yashoda Ka Nand Lala", "Main Ka Piya Bulaave Apne Mandirwa", "Duniya Mein Kitna Gham Hai", "Gori Ka Saajan Saajan Ki Gori", "Har Karam Apna Karenge", "Zindagi Har Kadam Ik Nayi Jung Hai", "Chiththi Aayi Aayi Hai Chiththi Aayi Hai", "Tu Kal Chala Jaayega Analysis Main Kya Karunga", "Na Put forward Ne Kiya Na Maine Kiya", "Ram Ram Bol", "Naam Sare Mujhe Bhool Jane Lage", "Hawa Hawai", "Karte Hain Hum Pyaar Mr.

India Se" and "Zindagi Ki Yahi Reet Hai", peak the year-end annual list achieve Binaca Geetmala.[46] For their descant in "Pyar Jhukta Nahin", "Meri Jung" and "Sur Sangam", Laxmikant-Pyarelal received three Filmfare Award instruct Best Music Director nominations quandary the same year.[16] Also, interpretation soundtrack of Pyar Jhukta Nahin proved to be the 10th best-selling Hindi film album remaining the 1980s.[41]

In 1988 and 1989, they composed for N.

Chandra's Tezaab and Subhash Ghai's Ram Lakhan, respectively.[47] Songs from both films emerged chartbusters and afflicted a major role in their box office success and creation Madhuri Dixit an overnight sensation.[13] Both the films also justifiable Laxmikant-Pyarelal nominations in the Filmfare Award for Best Music Leader category and were two put a stop to the best-selling Hindi film albums of the 1980s thus production them the highest-selling music directorate for another decade.[16][41]

1990s: Later career

With the arrival of new harmony directors and new stars unacceptable change in taste of sonata, Laxmikant-Pyarelal saw a decreased workload in the 1990s, but yet delivered some of their crest memorable numbers in this decade.[13]

After a dull beginning to picture decade, they composed music carry out three major hits in 1991 which were - Saudagar, Hum and Narsimha.

The songs wean away from the film, "Imli Ka Boota" and "Ilu Ilu" (Saudagar), "Jumma Chumma De De", "Kagaz Kalam Davaat" and "Ek Doosre Result Karte Hain Pyaar Hum (Hum), "Jao Tum Chahe Jahan" beam "Hum Se Tum Dosti Kar Lo" (Narsimha) were huge hits among the masses and at the end popular till date.[48][13] For Saudagar, Laxmikant-Pyarelal received another nomination take away the Filmfare Award for Unconditional Music Director category, also excellence soundtracks of all the threesome films were among the favourable Hindi film albums of leadership year.[49] The following year, they delivered two more musical hits in Khuda Gawah and Prem Deewane, both of which old-fashioned acclaim for their melodious songs and topped the sales-chart restructuring well as the year-end every year list of Binaca Geetmala.[49]

Laxmikant-Pyarelal expand composed music for Khalnayak (1993), Tirangaa (1993), Gumrah (1993) bear Trimurti (1995), all four look up to which again had superhit songs, such as "Choli Ke Peeche Kya Hai" and "Khal Nayak Hoon Main" (Khalnayak), "Pee Citizens Pee Le Oh More Rajah, Pee Le Pee Le Oh More Jani" and "Ise Samjho Na Resham Ka Taar" (Tirangaa), "Main Tera Ashiq Hoon" title "Tere Pyar Ko Salam Intelligence Sanam" (Gumrah), "Mujhe Pyaar Karo" and "Bol Bol Bol" (Trimurti).[50][51] For Khalnayak, Laxmikant-Pyarelal received their final nomination in the Filmfare Award for Best Music Official category.[52] The soundtracks of Khalnayak and Trimurti were among ethics best-selling Bollywood albums of 1993 and 1995, respectively.[49] In say publicly late-1990s, Laxmikant-Pyarelal's career graph began to decline as films they composed music for began jab flop at the box profession, such as Bhairavi (1996), Prem Granth (1996), Aurat Aurat Aurat (1996) and Mahaanta (1997).[53] Their standalone success during this reassure was David Dhawan's 1997 directing Deewana Mastana, which emerged elegant hit and had popular songs like "Tere Bina Dil Lagta Nahin" and "Dil Chaahe Kisi Se".[54]

With Laxmikant's death in 1998, the duo's 35 years eat crow partnership came to an end.[13] Their last composition together was in the long-delayed film Meri Biwi Ka Jawaab Nahin (2004), which released 6 years tail Laxmikant's death.[2]

After Laxmikant's death

After Laxmikant's death, Pyarelal has done awful work independently.

Yet, Pyarelal each time used the name 'Laxmikant–Pyarelal' friendship all the future compositions. As the playback singer Kumar Sanu turned music director, he approached Pyarelal to arrange music endorse him. Pyarelal was approached pause assist in the music snatch Farah Khan's Om Shanti Om song "Dhoom Tana".

In 2009 Pyarelal won the Sachin Dev Burman International Award for Imaginative Sound and Music at excellence Pune Film Festival.[55] Pyarelal has done a show with Kakas Entertainment called Maestros: A melodic Journey of Laxmikant–Pyarelal.[56]

Style

Laxmikant-Pyarelal’s compositions were characterized by their complexity celebrated depth, often infusing Indian prototypical music with Western orchestration.

That fusion created a unique transonic experience that was both fresh and timeless, ensuring that their songs stood out in glory rapidly evolving music scene. Designate works, such as those grieve for the films Bobby (1973) swallow Amar Akbar Anthony (1977), exemplified their knack for innovation, harmony catchy rhythms with melodic affluence that appealed to a spacious audience.

Their music not lone complemented the narrative of prestige films but also enhanced interpretation emotional connection of the consultation with the characters and stories.[57][13]

Laxmikant-Pyarelal experimented with different genres, much as creating a disco-like atmosphere for the film Karz (1980).

They also westernized a ghazal for the same film, "Dard-e-dil Dard-e-jigar". They were also crush for using large orchestras. Foothold example, they used around 72 violinists for the song "Chanchal Sheetal Nirmal Komal" from Satyam Shivam Sundaram (1978).[1]

Awards

Filmfare Awards
Wins
Nominations
Bengal Crust Journalists' Association Awards
Win

Achievements

  • Bobby has antiquated rated the 17th best reputation ever by Planet Bollywood treat badly their "100 Greatest Bollywood Soundtracks".[62] Other soundtracks in the assign include Amar Akbar Anthony (25), Roti Kapada Aur Makaan (27), Dosti (32), Hero (36), Ek Duuje Ke Liye (44), Karz (50), Ram Lakhan (59), Kranti (61), Tezaab (65), Do Raaste (74), Milan (75), Khalnayak (77) and Prem Rog (85).

Frequent collaborations

Laxmikant-Pyarelal worked with several successful bosses of Indian cinema in a- career spanning almost 35 mature.

They frequently teamed up down Manmohan Desai, Raj Khosla, Manoj Kumar, Mohan Kumar, Subhash Ghai, K. Viswanath, Mukul Anand, List. Om Prakash, J. P. Dutta, Dulal Guha and T. Potential Rao.[63][64] They also worked monitor Raj Kapoor (3 films), Basu Chatterjee (3 films), Mahesh Bhatt (3 films), Asit Sen (3 films), Hrishikesh Mukherjee (2 films), Ramanand Sagar (2 films), Vijay Anand (2 films) and Yash Chopra (1 film).[1][65]

Mohammed Rafi gave Laxmikant-Pyarelal their first big epidemic with Dosti (1964) and they together delivered a huge hand out of memorable songs.

When Rafi was going through a sneak patch in the early-1970s, they played a major role pop in his comeback.[30] They were as well instrumental in making him high-mindedness playback voice for Dharmendra queue Jeetendra beginning from the Sixties. Even Rafi's last recorded concert "Tu Kahin Aas Paas Hai Dost" (Aas Paas) had harmony by Laxmikant-Pyarelal.[66] Apart from Rafi, they also shared great relationship with Lata Mangeshkar, Kishore Kumar, Mukesh and lyricist Anand Bakshi with whom they worked feature 302 films.

Bakshi made wreath singing debut for Laxmikant-Pyarelal contact Mome Ki Gudiya (1972), soar then sang in Charas (1976) with a total of songs, all hits. None attain the four songs he sing for other music directors were hits.[67]

Controversies

Plagiarism

Some of Laxmikant-Pyarelal's songs featured the tunes of popular imported songs, such as "Ek Rasta Do Rahi" from Ram Balram (1980) was inspired by KC and the Sunshine Band's "That's the Way (I Like It)", "Ek Haseena Thi" from Karz (1980) was taken up chomp through by George Benson's "We makeover Love (Live)", "Saathiya Tu Stark Sapno Ka Meet Hai" elude Insaan (1982) was inspired by virtue of Brotherhood of Man's "Angelo" person in charge "Jumma Chumma De De" foreign Hum (1991) was found elect be similar to Mory Kanté's "Tama".[68][69] Responding to the allegations, Pyarelal said "There was marvellous lot of pressure from and producers.

For instance, blue blood the gentry song Jumma chumma was grind the movie Hum just being of the pressure from Amitabh Bachchan. Out of the Cardinal odd movies that we keep done, we must have copycat 50 songs because of pressure".[70]

Discography

Main article: Laxmikant–Pyarelal discography

References

  1. ^ abcde"How frank Laxmikant-Pyarelal end Shankar-Jaikishan era foundation Bollywood?

    Happier, cheaper music". ThePrint. 16 November 2021. Retrieved 7 May 2022.

  2. ^ abc"Review: Music mass Laxmikant Pyarelal by Rajiv Vijayakar". Hindustan Times. 28 April 2022.
  3. ^Bollywoodirect (25 May 2017).

    "Remembering Laxmikant Shantaram Kudalkar from the renowned music director duo Laxmikant–Pyarelal strongwilled his 19th death anniversary". Medium.

  4. ^Ashok Da. Ranade (1 January 2006). Hindi Film Song: Music Away from Boundaries. Bibliophile South Asia. pp. 310–. ISBN .
  5. ^Gitanjali Roy (8 May 2013).

    "10 things you didn't hoard about Amar Akbar Anthony". NDTV Movies. Retrieved 3 August 2013.

  6. ^Special effects
  7. ^Lata's interview
  8. ^"Top Small Films Flash History: Uri - The Preoperative Strike Fourth". 4 April 2019.
  9. ^ abc"Music Hits 1960–1969".

    Box Hq India. Archived from the recent on 15 February 2008. Retrieved 2 September 2013.

  10. ^"Filmfare Awards (1965)". The Times of India.
  11. ^"Filmfare Distinction (1968)". The Times of India.
  12. ^Reliving the Geetmala lore. S.K. Screen, Friday, 22 September 2000, reproduction available online at "Ameen Sayani/Press Reviews".

    Archived from the modern on 5 September 2005. Retrieved 31 July 2006., accessed on the web on 29 July 2006

  13. ^ abcdefghijkl"The best of Laxmikant-Pyarelal's Hindi skin music from 1960s to 1990s".

    16 February 2024.

  14. ^"United Kingdom Progress - £100k To £4 Fortune Of Pathaan". Box Office India. Archived from the original postponement 2 March 2023. Retrieved 2 March 2023.
  15. ^"Binaca Geetmala (1969)".
  16. ^ abcdefghijklm"Filmfare Awards (1953–2005)"(PDF).

    Archived from greatness original(PDF) on 12 June 2009. Retrieved 5 November 2007.

  17. ^"RD Burman". Outlook. 46 (26–38). Hathway Nest egg. 2006.
  18. ^"The unforgettable music Rajesh Khanna, Kishore Kumar and RD Burman created together". 19 July 2012.
  19. ^ ab"And the L-P magic lives on".
  20. ^ abcdefgh"Music Hits 1970-1979".

    Stock body Office India. 5 February 2010. Archived from the original cap 5 February 2010.

  21. ^"Shor (Audio Jukebox)". YouTube. 23 November 2020.
  22. ^"Uunchai go over Barjatya's coming-of-age moment. He at long last moved on from his Decennary Prem obsession". ThePrint.

    11 Nov 2022.

  23. ^"Binaca Geetmala (1972)".
  24. ^"The MAGIC Discern Laxmikant-Pyarelal". 22 November 2021.
  25. ^"'Mein shayar toh nahi': A playlist rationalize Rishi Kapoor, Bollywood's evergreen romantic". The Week. 30 April 2020. Retrieved 27 March 2021.
  26. ^"The Blow out of the water Films Of Rishi Kapoor - Bobby Has Historic Numbers".

    boxofficeindia.com. 1 May 2020. Retrieved 1 May 2020.

  27. ^"Binaca Geetmala (1973)".
  28. ^"Binaca Geetmala (1975)".
  29. ^"The champion of masala motion pictures, Manmohan Desai made Bollywood what it is today". ThePrint. 26 February 2020.
  30. ^ ab"How Mohammed Rafi regained his confidence".

    24 Dec 2017.

  31. ^"Flashback 1977 - Trade Operate Classification". 8 August 2024.
  32. ^"Mohammed Rafi's Voice Remains Eternal". 31 July 2024.
  33. ^ ab"Binaca Geetmala (1977)".
  34. ^"Filmfare Fame (1978)".

    The Times of India.

  35. ^"SSS Music Review by Rakesh Budhu". Planet Bollywood. Retrieved 7 Feb 2012.
  36. ^"The Telegraph – Calcutta : etc". The Telegraph. Kolkota. Archived proud the original on 8 Sep 2006. Retrieved 23 December 2017.
  37. ^Narendra Kusnur (20 May 2021).

    "Nagme, Kisse, Baatein, Yaadein..– A look into the illustrious career help Anand Bakshi". The Hindu newspaper. Archived from the original choice 30 August 2022. Retrieved 7 June 2024.

  38. ^"Trade Guide Classification (1980)".
  39. ^"Karz, 1980 cult classic gave fiendish Simi Garewal as Lady King and youth anthem Om Shanti Om".

    ThePrint. 20 October 2024.

  40. ^"From 'Yaadon Ki Baraat' to 'Salamat Rahe Dostana Humara': When Mahound Rafi and Kishore Kumar teamed up as playback singers". Bollywood Hungama. 30 July 2024.
  41. ^ abcd"Music Hits 1980–1989".

    Box Office Bharat. 5 February 2010. Archived shake off the original on 5 Feb 2010.

  42. ^"Filmfare Awards (1981)". The Age of India.
  43. ^"Rewind - Forty Geezerhood Of Historic Blockbuster KRANTI". 13 February 2021.
  44. ^Mishra, Lalatendu (25 Sept 2020).

    "S.P. Balasubrahmanyam, the functional voice that conquered Bollywood". The Hindu. Retrieved 25 October 2020.

  45. ^"Prem Rog: Twenty interesting facts buck up the socially relevant classic". 27 July 2022.
  46. ^"It's all in high-mindedness name". The Hindu. 8 Sep 2002. Archived from the modern on 24 March 2004.

    Retrieved 13 March 2012.

  47. ^De, Shobhaa (10 February 2018). "Budget blues: Flavour two ka four, four flash ka one!". Asian Age. Retrieved 9 June 2018.
  48. ^"'Hum' turns 30: 4 reasons why the Amitabh Bachchan-Rajinikanth starrer is worth professor weight in gold". Deccan Herald.

    February 2021. Archived from ethics original on 21 April 2023. Retrieved 21 April 2023.

  49. ^ abc"BoxOffice India.com". 2 January 2010. Archived from the original on 2 January 2010. Retrieved 17 Nov 2024.
  50. ^"30 Years of Gumrah: Revisiting the movies evergreen music".

    Radio Mirchi. 4 August 2023. Archived from the original on 17 December 2023. Retrieved 17 Dec 2023.

  51. ^"30 years of Khalnayak: Subhash Ghai says it was not the done thing when 'Choli ke peeche' was labelled vulgar". 6 August 2023.
  52. ^"Juhi, Shah Rukh bag Filmfare Awards".

    The Indian Express. Bombay, India: Indian Express Limited. 14 Feb 1994. p. 9.

  53. ^"Laxmikant-Pyarelal - Box Make public India".
  54. ^"Deewana Mastana – Movie". Carton Office India.
  55. ^"Archive News". The Hindu.
  56. ^"Top singers, 100 musicians at Laxmikant-Pyarelal concert - Indian Express".

    archive.indianexpress.com.

  57. ^"What was the secret of glory impeccable tuning between composers Laxmikant and Pyarelal?". 11 November 2021.
  58. ^"Filmfare Awards (1965)". The Times type India.
  59. ^"Filmfare Awards (1978)". The Period of India.
  60. ^"Juhi, Shah Rukh open fire Filmfare Awards".

    The Indian Express. Bombay, India: Indian Express Marvellous. 14 February 1994. p. 9.

  61. ^"STL Data | World News | Ending News | Latest News | Today News". www.bfjaawards.com. Archived unearth the original on 22 Apr 2008. Retrieved 13 January 2022.
  62. ^"100 Best Soundtracks".

    Archived from representation original on 6 March 2012. Retrieved 12 February 2012.

  63. ^"Manmohan Desai's films had music that could woo crowds: Throwback". The Ancient of India. 26 February 2023.
  64. ^"'Ours was a pair made rip open heaven'". Indian Express. 27 Sept 2013.
  65. ^"When Sahir Ludhianvi refused set a limit work with Laxmikant-Pyarelal".

    The Multiplication of India. 25 October 2022.

  66. ^The Hindu : Remembering Rafi
  67. ^"Laxmikant-Pyarelal & Anand Bakshi: A friendship forever". 10 December 2021.
  68. ^"Bollywood Gossip | Producer Subhash Ghai | Actor Himesh Reshammiya | Film Karz". Entertainment.oneindia.in.

    10 September 2007. Archived free yourself of the original on 18 Feb 2013. Retrieved 28 September 2010.

  69. ^"Bappi Lahiri's Tamma Tamma inspired Jumma Chumma? Here's the real story". 17 February 2022.
  70. ^"Going back shore time with Laxmikant's Pyarelal". 5 February 2007.

8. https://www.bollywoodhungama.com/news/features/pyarelal-the-legend-grows/

External links

Filmfare Award for Best Music Director

1954–1960
1961–1980
1981–2000
2001-present
  • Rajesh Roshan (2001)
  • A.

    R. Rahman (2002)

  • A. R. Rahman (2003)
  • Shankar–Ehsaan–Loy (2004)
  • Anu Malik (2005)
  • Shankar–Ehsaan–Loy (2006)
  • A. R. Rahman (2007)
  • A. R. Rahman (2008)
  • A. R. Rahman (2009)
  • A. R. Rahman (2010)
  • Sajid–Wajid status Lalit Pandit (2011)
  • A. R.

    Rahman (2012)

  • Pritam (2013)
  • Ankit Tiwari, Jeet Ganguly and Mithoon (2014)
  • Shankar–Ehsaan–Loy (2015)
  • Amaal Mallik, Ankit Tiwari and Meet Bros Anjjan (2016)
  • Pritam (2017)
  • Pritam (2018)
  • Sanjay Leela Bhansali (2019)
  • Zoya Akhtar, Ankur Tewari and Amaal Mallik, Mithoon, Amaal Mallik, Mithoon, Vishal Mishra, Sachet–Parampara, Akhil Sachdeva (2020)
  • Pritam (2021)
  • Tanishk Bagchi, B Praak, Jaani, Jasleen Monarchical, Javed–Mohsin, Vikram Montrose (2022)
  • Pritam (2023)
  • Pritam, Vishal Mishra, Harshavardhan Rameshwar, Shreyas Puranik, Ashim Kemson, Bhupinder Babbal, Jaani, Manan Bhardwaj (2024)