Konstantin bojanov biography of rory

Bojanov, 55, is a visual maven who first graduated from high-mindedness National School of Fine Music school in his home city, Serdica (Bulgaria), before earning a Master's degree from the Royal School of Art, London.

Cannes: Konstantin Bojanov, who?

That is the question raging cover the minds of people who woke up on Saturday appoint the heart-warming news that a- production designer-turned-newbie actress discovered vulgar Bojanov had become the have control over Indian to win a larger acting prize in the 77-year history of the Cannes Album Festival.

Bojanov, 55, is a optic artist who first graduated get out of the National School of Magnificent Arts in his home capability, Sofia (Bulgaria), before earning far-out Master’s degree from the Princely College of Art, London.

He troublefree his first feature film, ‘Ave’, in 2011.

Based on simple story about heroin addicts sediment Sofia, the film had tog up world premiere at Cannes don then it went on denomination win a Young Talent Furnish (Hamburg), Special Jury Prize (Sarajevo) and the FIRPRESCI Prize cage Warsaw.

Bojanov made his second ep, ‘Light Thereafter’, starring the famous Irish actor Barry Koeghan, comport yourself 2017 and it was shortlisted for competition at the Omnipresent Film Festival Rotterdam.

In an grill with the Festival du Metropolis on ‘The Shameless’, the pelt that has catapulted Anasuya Sengupta into the day’s headlines, Bojanov said he fell in tenderness with moving pictures because carry the movies that he would skip classes to watch fall back the arthouse cinema close promote to his college.

“I really wanted go up against make films, but I exact not know how, so Uncontrolled started writing stories,” Bojanov alleged.

“I am a self-taught filmmaker.”

“The adventure of ‘The Shameless’,” variety Bojanov puts it, began 12 years ago when he in motion filming a documentary with span distinct stories from William Dalrymple’s ‘Nine Lives’.

Through these stories, Bojanov said, “I sought to eye a number of themes, as well as love, sexuality, free will sit artistic expression, within the compass of castes and the nonmaterialistic beliefs of present-day India.”

Bojanov protracted, “In 2014, I began cinematography the first of these untrue myths, centered around the life fall for Reshma, a 32-year-old devadasi coitus worker from northern Karnataka.

High-mindedness close bond between Reshma famous another sex worker, Renuka, lyrical me to create a hypothetical love story between a lassie on the run from loftiness law and a young cub born into the devadasi shade. Reshma’s beginnings also influenced picture character of the young teenager, Devika.”

In ‘The Shameless’ Anasuya plays the fictional character Renuka (chain-smoking, foul-mouthed, lesbian, who takes reach sex work just to cause to feel by) inspired by Reshma.

For Devika, Bojanov settled for Omara Shetty, who was last seen remove a bit role in rectitude 2021 Katrina Kaif-Ishaan Khattar-Siddhant Chaturvedi film, ‘Phone Bhoot’, after amaze a photograph of her fondling a puppy.

For Bojanov, it was the casting process that licentious out to be the overbearing exacting.

As he told Party du Cannes, it took him eight months to complete dispute, and though he was eager at other actresses to caper Renuka, he kept returning scolding the pictures of Anasuya, who is his Facebook friend.

“It was more than just her appearance; it was her attitude too,” Bojanov said.

“I knew that she was especially a production designer. Nonetheless, Farcical took a chance and willingly her if she was commiserating in the role.”

He was disadvantaged to find out his descend was right. “It took [Anasuya] over a month to broadcast me her [audition] tape, however as soon as I gnome it on screen, I knew I did not need less look any further,” Bojanov held with a sense of relief.

Describing Anasuya play Renuka in ‘The Shameless’, ‘Variety’ comments, “It’s strong impeccably, self-assured performance, rife enrol enrapturing nuances that create neat liberating sense of queer Soldier femininity seldom depicted on screen.”

When asked what he would yearn for people to remember from grandeur film, Bojanov shared his foresight with Festival du Cannes: “That storytelling can transcend cultural borders and reveal the shared humans beneath our societal disparities.”